Painting the American Robin | video

American Robin took me about 30 hrs to complete and has gone through quite the evolution. The bird in this oil painting was inspired by an actual Robin that nests in my backyard.

My vision for this painting was to have the Robin perched atop a tree. I want the painting to have a feeling of movement and colour. Imagine being out on a walk in the morning, the sun has already risen, the air is warm, but slightly breezy. The world is awake. Sounds of Cardinals, Finches, Starlings, Chickadees and Sparrows fill the air, but it’s the American Robins greeting that gets my attention today and is my inspiration for this art piece. Having observed Robins for a few years, I’ve come to enjoy and appreciate these industrious birds from their nest building skills to how they nurture their young.

This is my first video, so I’m still trying figure out the ideal set-up for film and editing, so there will be some instances where I’m blocking the shot – but I sincerely tried my best and I’m still learning.

This work is part of the Wild Imperfections series.

YouTube Video

Wild Imperfections at S. Walter Stewart Library, July 4-30 , 2019

Thanks to everyone who showed their support for Women’s Art Project (WAP), art exhibition Wild Imperfections at S. Walter Stewart Public Library. Works from the exhibition are now posted to the Paintings gallery. Here are some photos of the show just after set-up.

 

From the Sketchbook

From the Sketchbook (July 2019 – ) features preliminary drawing and painting studies on paper.  One thing I believe is there is always something new to learn and the sketch book is where everything begins – ideas for future paintings, new techniques, inner thoughts and ramblings. For me being a fine artist is a vocation in life, one where you are continuously learning – about life, yourself and how you visualize the world.

Wild Imperfections

Coming soon: Wild Imperfections at S. Walter Stewart Library, July 4-30 , 2019

Wild Imperfection, S. Walter Stewart Library, July 3-30, 2019

Wild Imperfection, S. Walter Stewart Library, July 3-30, 2019

From July 3-30, 2019 fellow artists Zoraida Anaya, Lisa Fox and I will feature our latest work in an art exhibition entitled Wild Imperfections at the S. Walter Stewart Public Library.

The multidisciplinary exhibition features work in mixed media, painting and photography and is part of the Women’s Art Project (WAP) Collective initiative. The artistic intention of the collective is to make experimental work in a supportive, inspiring and collaborative environment.

Exhibition Dates: July 4 to 30, 2019

S. Walter Stewart Public Library
170 Memorial Park Avenue, Toronto, ON  M4J 2K5
Phone: 416-396-3975

Hours:
Monday to Friday, 9:00 AM – 8:30 PM
Saturday, 9:00 AM – 5:00 PM
Sunday, 1:30 – 5:00 PM

 

 

 

Mere Bodies or Something More?

Bone Structure - August 2018

Mere Bodies or Something More? (July 2018 – August 2018 ) In life, we think of our experiences thus far, and what the future holds for us. But when faced with our own mortality, we think of things we took for granted, and what else we could’ve done better. Health is often the catalyst for change, leading us to question life, death and thereafter.

Regardless of lifestyle, the body seems to have a language of its own which manifests through physical, changes. And our transformation takes us from where we were to what we become.

We also share an emotional connection through indirect experiences. Events such as bearing witness to the birth of one life, or grieving the death of another are indirect experiences which allow us to explore the meaning of body as a vessel. “Can we fully comprehend that which makes a body more than just a mere body without the direct experience of its absence?

Mere bodies or something more? is an introspective look at the human body as a physical and spiritual vessel. An interpretation of how one may experience health changes while contemplating mortality and spirituality.

The Story of the Sun and the Moon: An Inspiration

Celestial Dance - by Michelle Montague

Celestial Dance, May 22, 2017, 39″x 63 1/2″, acrylic, ink, oil sticks on canvas

“Tell me the story about how the Sun loved the Moon so much he died every night to let her breathe.”

The quote itself have inspired, writers, poets and artists alike. Though the quote’s cultural origin is unknown, many believe its roots come from an earlier folk-tale Why The Sun Chases the Moon. However, there are several Sun and Moon mythologies around the world which may have inspired the quote as well. Whether depicted as lovers, siblings or mother and son, each cultural myth offers its own explanation of how the celestial bodies depend on each other for life, which would otherwise not exist.

As part of the 4 Cardinal Points exhibition, my newest work Celestial Dance (shown above) depicts the setting sun and the rising moon. The sun has to die every night so the moon can live, for without the sun there would be no moon. They depend on each other and her death every morning gives him life. It is their bond that gives each other what they want and need.

I’ve included a variation of the story below:

 

“Tell me the story about how the sun loved the moon so much he died every night to let her breathe.”

There once was a moon, as beautiful as can be, only the stars could fathom, but the sun could not see. The sun so radiant, he burns so bright. The moon so luminous, but only showed her face during the night. She was untouchable, surrounding herself with a blanket of darkness. The sun would give anything to catch a glimpse of the Moon illuminating the beautiful night sky.

Until one day when the Sun was sliding out of the heavens, he caught a glimpse of her. She was peeking up, a rare side of her being exposed to the light. And while the Sun could shine, he knew the Moon could glow.

Just as the Stars were wandering into the night, the Sun fell in love like a snowball hurdling down a mountain. How he wished to see her move than the fleeting moments he shared with her at both dawn and dusk. But they were a world apart.

“Go,” she whispered to him one of those nights, her voice as sweet and sorrowful as the last light of morning. “Go and let me breathe, for you and I have decided fates. You illuminate the day, and I cast a glow on the night. We will never be. Our connection would go against what all the people believe, all they know” During the summer he would stay a little longer just in case she would change his mind. It was no use.

“Don’t you dare abandon your blessing of light for my darkness.” And those were the last words the Moon was strong enough to speak to the Sun.

The Sun could feel her peaceful soul and it soon became clear. He would die each and every night to let his true love breathe, for it would put an end to all her misery.

 

 

 

 

Patterns in Nature: My Inspiration

Queen Anne's Lace (Wild Carrot) flower and a snowflake

This Queen Anne’s Lace (Wild Carrot) reminds me of a snowflake.

In my previous post I mentioned that Nature, family and music are often the source of my inspiration. These sources of inspiration are triggered by a specific moment, a memory or a feeling. For example, the sweet smell of pine trees on a dewy morning, or a family of Mallards rhythmically floating on the lake. Or the shadows that trees cast on the ground. Or mismatched buttons on a person’s coat. I think you get the picture… One such spark of inspiration is a memory of my mother whom was taking extra biology courses to upgrade her skills in health care. I was young at the time, maybe 11 but it was something that made an impression on me. She had a series of medical and science textbooks and I remember spending hours repeatedly looking through them, studying each illustration in careful detail. One day my mother pointed to a plant cell diagram in one of her textbooks and asked if I could draw one like it in her notebook. Thinking as children do at that time, it never occurred to me to simply trace the illustration into the notebook (now thinking back it would’ve saved a lot of time!). However, I studied the illustration and carefully drew every detail neatly into her notebook. I was quite proud of that first diagram when completed. I can only guess my mother thought I did a good job. She didn’t say so directly, but I drew several more illustrations for her thereafter, mostly of various plant and animal cells, but also of organs, skeletal and muscular structures. Why am I sharing this story? Well it was that moment, that memory that I discovered my interests in not only the organism itself but the commonalities shared across all living things.

Over the years, I’ve learned all living things share common patterns expressed visually or rhythmically. The patterns are found repeatedly in not only organisms but in other forms such as sound waves, sine waves, and electromagnetic fields etc. Some people may refer to these repeating patterns as Fractals. A Fractal is a never-ending pattern that repeats itself at different scales – a fascinating subject on its own and warrants a separate discussion. However if you’re interested in learning more about Fractals here is a good place to start, but there are plenty of other resources on the web.

What I’m interested in are the natural patterns found in living things and the commonalities that connects us all. My inspirations lie in identifying and expressing elements of these patterns through my artwork. For example in my Sanctum or Organics series, certain lines that repeat mimic the movements of water, wind or a wave in a person’s hair. Whereas the shapes may represent patterns seen in flowers or pine combs. These elements expressed in my paintings are the patterns seen across all life and bind all. Seemingly separate on the surface, all things live and move together as one – Like a field of sunflowers swaying in the wind. The things that connect us are my inspiration and serve as the underpinnings for my work.

Red Oak trees vs. Moon jellyfish

Growth patterns in the branches of the might Red Oak trees are similar to the patterns in the tentacles of the Moon jellyfish.

Looking up above and down below there are natural pattern formations.

 

 

 

 

 

 

 

 

Upcoming Exhibition at Gallery 1313, March 18-29, 2015

Montague evite1_MatterofExpressionMar2015In “A Matter of Expression” cell-like organisms alternate between growth and decay and, light and shade. They guide the viewer through an exploration of nature, life energy, and rejuvenation. Using crochet, acrylic and oil sticks, Michelle explores interlocking gestural lines and the arrangement of shapes and colours. These elements serve as metaphors of our oneness with Nature.

Gallery 1313
1313 Queen Street West, Toronto, ON
Hours: Wednesday-Sunday, 1-6pm
Reception: Wednesday, March 18, 7 pm

Click here for more information about Gallery 1313

 

 

 

 

 

 

New Works Now Posted

Sanctum – My current body of work is now posted to the Paintings gallery.

Moment Of Bliss,  Acrylic, crochet, oil stick, 38" x 38", March 16, 2014,

Sanctum

Sanctum (January 2014 – March 2015) is an interpretation of patterns found in Nature. In this body of work, I use crochet, acrylic and oil sticks,  to create interlocking gestural lines and arrange shapes and colours. These elements serve as metaphors of our own indivisibility and oneness with Nature.

New Works Added to Organics Series

New works have been added to the Organics Series in the Paintings section. Be sure to check it out!
Here’s a sneak peak of two of my newer paintings. Both are mixed media – Embroidery, acrylic and oil stick:

Untitled_July272013 Untitled_Aug22013